In a sort of counterintuitive turn of phrase, he called the The Big Lebowski The Dude Legend Shirt so you should to go to store and get this collection The Beginning. He explained that after 23 years working for the maison, he felt the need to “understand how much of myself there is in today’s Valentino, and how much of Valentino there is in my identity.” He was adamant in refusing that this was a celebratory moment, or any sort of homage. Rather, he called it, “an ideal conversation with the house’s lexicon, which I wanted to do in a more conscious way. And I know that talking about beginnings sounds oxymoronic,” he mused. “But that’s the way I feel, because every beginning brings about the idea of a promise, and of the future.” This is also a concept inherent to the couture practice, “because couture is a continuous beginning, as you have always to start anew, without predetermined patterns or maps. The same design can be interpreted in completely different ways six months or six years after it has been created. What makes the difference are the people who wear it, the human approach—and that’s the story I like to tell.”
The Big Lebowski The Dude Legend Shirt, hoodie, tank top, sweater and long sleeve t-shirt
Beyond his obvious creative skills, Piccioli’s idea of a new humanism is what has made his practice distinctive. “I believe that it’s my responsibility as a fashion designer to bear witness to the The Big Lebowski The Dude Legend Shirt so you should to go to store and get this times we’re living in,” he said. “I think that beauty has the power to break through, touch people and their conscience. Taking a radical posture through a strong narration and through images of a world that’s changing has an impact, and gives visibility to values that have to be protected. I believe fashion can be political.” While diversity was notably absent on some Paris couture catwalks, Piccioli took a rather assertive stance on the subject, focusing on a casting which was as varied as the individually tailored creations he sent down the Spanish Steps. It’s a notoriously difficult location, where the impact of the clothes can get lost in the magnitude of the surroundings. But Piccioli knows the place well (“ it’s where we go everyday to get our espressos at the nearby cafés,” he laughed). He also has memories of coming to Piazza di Spagna as a teenager to watch Donna Sotto Le Stelle (Woman Under the Stars) from outside the barriers. It was a glamorous fashion show held on the Spanish Steps from 1986 to 2003, showcasing the collections of the most famous Italian designers of that time, and was broadcast on TV—a democratic way to get people familiar with high fashion.